Five months ago I raised
Gary and Mary Andrews from the dead. I took
a wrong turn trying to find a Pampered Chef
party to benefit Will’s eighth grade
trip to New York City, and there it stood
as close to the road as ever, their old house.
Superimposed over the improvements of the
recent owners, a small bungalow with cracked
siding, smeared windowpanes, and a rusted
oil tank figured into my vision. The mat
of green grass dissolved into an unkempt
lot of dirt and weeds supporting a display
of junk: an old couch, a defunct Chevy, and
rusted entities the purpose of which I never
could say.
What happened inside that house
remains there. All I know for sure is that
Gary and Mary Andrews climbed onto our school
bus every morning and never waved good-bye
to anybody. We’d pull forward in a
throaty
puff of diesel, away from that little frame
house, its once-white paint as gray as the
dirt that always outlined Gary’s hands
and shaded behind his ears. As a sixth grader,
I didn’t realize children weren’t
responsible for their own cleanliness, that
Mary’s hair never glinted in the sunshine
or smelled like baby shampoo because nobody
helped her wash it; nobody thrust their fingers
into her curls and scrubbed away the dust
of a tumble in the yard with the dog; nobody
applied a nice dollop of cream rinse to untangle
knots from windy hours outside. I never stopped
to think nobody in that house cared about
them.
God help me.
So I sit now in the anonymity
of my car, praying somebody steps out. Perhaps
they’ll look around, notice me sitting
here, walk forward and ask if there’s
a problem.
No. No problem. I just knew
the people who used to live here. Might you
know where they live now?
No movement, no fluttering
of the drapes, no shadows behind the blinds.
Always quiet here. It always was.
I pull off the side of the
road, the heavy tires eating the gravel.
I turn for home. I’ll find myself back
here again soon. It’s become the way
of it.
I’m sorry. I’m
so sorry.
--------------------------
I fell asleep last night to the eerie strains
of “Blackbird,” my last conscious
thoughts of broken wings and sunken eyes.
Waiting for moments to arrive when broken
wings fly and sunken eyes see, waiting
for that moment of freedom, flying into
the light.
If I had to listen to one musical
artist or band or composer for the rest of
my life, I’d choose the Beatles. Their
music encompasses all the emotions, all the
moods, and all the tempos I’ll ever
need, taking me back to my childhood when
my father would slip an album on the stereo,
set the speed to thirty-three, and push the
lever up to automatic. The fact that my father
was younger and definitely cooler than the
other dads around only helped the Fab Four
become the thing to an elementary school
girl who should have been listening to Bobby
Sherman or the Osmond Brothers. I never really
did go for the teen sensations.
Lying on my stomach, I would
watch from eye level, chin resting on the
back of my hands, and stare, gaze stuttering
in and out of focus as the record fell to
the turntable on the floor by the couch,
the arm lifted, swung backward then forward,
diamond-tipped needle poised with promise
over the smooth outer rim of the vinyl disc.
As it dropped with slow precision, I held
my breath wondering if it would really make
contact with the disc this time. Those old
hi-fi systems didn’t miss the mark
often, but they did enough to glue your eyes
to the entire process and make your heart
skip a few beats until the needle found its
groove.
And then, after the static
and scratch, Paul sang about his mother,
Mary, comforting him, telling him to “Let
It Be.”
I was a daddy’s girl,
my mother having left him when I was two
and then died not long after in a motorcycle
accident with one of her precursor-hippie
boyfriends. Nevertheless, I closed my eyes
for the duration of the song, wishing she
still existed and could lift her hand and
rest it on my shoulder. She must have done
that long ago.
Or maybe not.
During the strains of “Blackbird,” I
dreamt of my father for the first time in
many months, his dark, winged hair breezing
back from his wide forehead. Snuggled in
the comforter freshly snapped down off the
line yesterday afternoon, I wallowed in the
numbness of slumber as he returned anew.
Nobody told me how precious dreams of the
dead become, how our own subconscious somehow
gifts us with the time and space to once
again be with those who have left us behind.
--------------------------
And so I lay basking in my
father’s presence, wishing so much
for more time. But isn’t that always
the way? There he was, living in that little
house in Towson, and I only saw him once
a week. How differently I’d do things
if I’d known he was slated for an autumn
death. An accident at work. He was a plumber,
a fact that used to embarrass me, an expert
at redoing historical houses during his last
decade.
Nobody knew that wall was ready
to fall down. They were just doing the initial
walk-through. He was only fifty-five. The
cool morning air spirals the window curtains,
and I inhale the breeze off Loch Raven to
the bottom of my lungs. At the crest of the
hill beside our home, earth—turned
over and ready for planting by the farmer
who lives next door—casts its loamy
smell over the yard. As yet, the sun rests
below a horizon unadorned but for the crabbed
Dutch elm standing long past its expiration
date. I hate that bleached thing. Why my
neighbor, a sweet widower nicknamed Jolly,
doesn’t pull it down is as much a mystery
as his very name. As far as I know, nobody
knows Jolly’s real name, and Jace and
I wonder if Jolly even remembers. Maybe it
actually is Jolly. Jolly Lester. I always
figured it was John or Jacob or maybe James.
Jolly tries to live up to the
name. Lord knows the man tries. But some
days, especially when the rain falls in a
light slick from a platinum sky, his sepia
eyes tell me he misses his Helen with the
longing of someone who loved one person all
of his life and was content, even honored,
to do so. And Helen loved him back.
The distant buildings of Towson
peek over the trees, and farther yet, Baltimore
lies hidden to me here. But life is beginning
again in those places that formed me into
this woman I’ve become, for good or
for bad.
I should pray. My father taught
me to pray.
Jace stirs. “You awake,
Hezz?”
I sit up and grab for my robe. “I
need to get that turkey in the oven so it’s
ready for sandwiches for the party this afternoon.”
“What party?”
“We’re having the
end-of-the-year party for Will’s class
here, remember? I’ve got a ton of stuff
to do. At least I decorated the cake already.”
“Forgot. Would you like
the shower first?”
“Nope. You go on.”
“What kind of cake?”
“Triple chocolate with
white chocolate buttercream icing.”
“Mind if I take a piece
to the office?” His mouth stretches
into a smiley ribbon. He closes his eyes
and I stare at my husband. Most women imagine
that plainer women who’ve stolen a
handsome man as their own must feel smug
and superior having scored an undeserved
hottie. Obviously, we’ve got brains
or money or an extraordinary sense of humor
to have nabbed such a prize.
Let me say, it isn’t
as easy as it looks. I know what people think
when we walk into a restaurant. Tall, lean,
good-looking Jace with his wavy brown hair
and smoky eyes, his easy assurance, his ruddy
skin warming up the room. They must wonder
how on this green earth a little old roly-poly
like me ended up with a movie star like him.
For the first ten minutes I’m
conscious of myself in ways Jace has never
made me feel. But he’s just Jace, even
in posh restaurants, placing his hand on
the rounded waist that expanded with the
growth of his child, smiling into eyes wrinkled
from many afternoons squinting in the sun
at swim meets, and laughing at my jokes that
are only funny because of context, not content.
And they don’t know that
cucumbers give him terrible gas, that he
can be a real jerk when he’s sick,
that he shuts down when he’s mad, and
that he still draws stick figures. They don’t
know that he doesn’t call his parents
nearly enough . . . that he gets upset about
my spending habits, which I must admit are
sometimes a little over the top. But it’s
too beautiful a morning to think about that.
I give his head a quick scratch. “I’ll
get you a cup of coffee, sweets.”
Eyes still closed, he smiles. “I
don’t deserve you.”
“Well, looks notwithstanding,
that’s probably true. Because I’m
a good Christian woman, I seek an almost-perfection
from the rising of the sun to the going down
of the same. I volunteer at school; I once
hosted a foreign exchange student; I color
my hair, exercise at least three times a
week to keep my temple from collapsing; I
wear lipstick. Sometimes I wear two colors
at once to manipulate the perfect coordinating
shade with whatever Eddie Bauer or Talbots
dreamed up for the season.”
He squints. Why not continue?
“I tote a Vera Bradley
purse with matching change purse, cell phone
case, and makeup bag—which, honestly,
I’ve never liked, Jace, but the Vera
rage burned a couple of years ago at church,
and I convinced myself a quilted handbag
with a Noah’s ark theme was not only
a fine idea, but a potential witnessing tool,
like a Jesus fish or a cross necklace.”
“It’s just a purse,
hon.” Jace leans up on one elbow. “You
sure you don’t want to shower first?”
“You know, I figured
if I wore it steadily for three years, it
would come to about ten cents a pop, and
surely that’s not bad, is it?”
Jace shakes his head, throws
back the covers. “No, Hezz, it isn’t.” Under
his breath he mumbles, “That purse
is the least of it.”
I wonder how long it’ll
take before he sees the new deck furniture.
I’m glad I remembered to hide those
bags from T.J.Maxx.
###
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Excerpted with permission from Quaker
Summer, Copyright © 2007
by Lisa Samson. Published by Westbow
Press, a division of Thomas Nelson, Inc.
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